She’s an Oscar & SAG nominee and Emmy & Golden Globe winner! It’s “SIGH-frid,” ftr.)Ĭut to ~2018, when they’re dusting off the script. (Real-time episode commentary: Griffin is still murdering Amanda Seyfried’s name. One Blankie mentioned having to explain the Oasis joke. The 40-and-overs in the audience would have half-chuckled at the line to the younger set it was nothing. In America, at least, The Youth have no idea how big Oasis were in the mid-1990s, how often the Beatles comparisons dogged them. In 2019, Oasis’s first album turned 25 years old. That’s when an Oasis joke would have landed. I think Richard Curtis wrote the script in the late ‘90s (perhaps after Be Here Now flopped). (I started typing this about 40 minutes into the episode, at which point they go deep into the disputed origin of the idea. Here is was my key to understanding Yesterday. I think Jerry MaGuire is a pretty great film despite some flaws, but in Yesterday, when the same kind of female character is combined with a self obsessed guy choosing to live a lie to become famous (and have sex with at least one girl based on that lie), and then when the girl whom he took for granted - and (perhaps unwittingly) took advantage of her willingness to do anything for him because of her feelings for him - is with another man, then he goes super manipulative, which is the film's emotional climax.
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I don't think that's horrible, but it's just too common in this type of movie (or any type of movie). Nothing wrong with that perhaps, and the movie clearly isn't about her character we learn that she's an accountant, she wants a father figure for her son, and that's pretty much it. In the story, her function is mainly to dote on Cruise's character, and her motivation (besides being attracted to him) is that the "memo" inspired her. In star wars, it takes no time to get anywhere and the heroes are never really in much danger, and I don't care that much because star wars has never suggested those things mattered in a real way. The show says these things matter, then changes its mind about it. In the first few seasons, if someone is outnumbered/outclassed in a fight, they probably die in the last two, not a problem at all, the heroes are invincible. In the last two, folks are crossing the continent like they've got private jets. For the first 5 seasons, of someone wanted to go somewhere, it was going to take most of the season. for myself, I got annoyed with things in that show that don't bother me even a little bit for other things I enjoy. It's not that those episodes weren't well made/acted/shot, etc, it's that the show started ignoring things that they first few seasons had told us were important. Not movie, but i am convinced that this is a big part of the reason folks turned so hard on Game of Thrones in the final two seasons. Yesterday has a conceit that it takes seriously enough to invite you think about it, but not seriously enough to stand up to any sort of thought about it. I am generally pretty happy to buy into whatever the conceit of a piece of entertainment is, so long as it's upfront about it or doesn't change the rules on itself. I don't get bogged down in what makes sense or not, generally, unless it's either egregious or if the movie isn't great and my mind is already wandering. I don't go to see a movie looking for plot holes, and generally speaking, if I'm thinking about this type of thing while I'm watching the movie, the battle is already lost. That way the world still gets the songs but no one was murdered. The universe wouldn't alter itself to get a couple together or make someone famous, but to save a life. Jack, Lily, and our story we are watching are just remainders.
Where he gave love, art, music, and happiness to so many people, but was himself cheated and stolen.
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I've always interpreted the blackout moment as the "powers that be" or the "universe" or whatever the magic was that erased the Beatles had had enough of us living in a timeline where Lennon didn't get a full life. Sixth Sense, knew in the first ten minutes), I never considered the Lennon factor until it happened. As someone who always sees it coming in movies, (ex. Everytime i watch Carlyle's scene I still tear up. As a somewhat casual Beatles fan I saw Yesterday in theaters and burst into tears when that scene came on. Kind of like the point in IB was, let's pump Hitler full of lead and set him on fire. The point of Yesterday is, let's let John have a full life. It would be like taking Hitler out of Inglorious Basterds. I can't believe there'd be a version without it. The John Lennon scene is the whole point.
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